Modular Archives - Elevator Sound https://www.elevatorsound.com/product-category/modular/ Eurorack Modular, Synthesizer & Electronic Music Hardware Store Thu, 12 Dec 2024 05:41:54 +0000 en-GB hourly 1 https://wordpress.org/?v=6.7.1 Archaea Modular Exchange Eurorack Routing Module https://www.elevatorsound.com/product/archaea-modular-exchange-eurorack-routing-module/ Mon, 09 Dec 2024 19:08:36 +0000 https://www.elevatorsound.com/?post_type=product&p=95825 Exchange is a patching module where the 8 inputs can be switched to any of the 8 outputs. By connecting other modules to Exchange, patches can be created using the 8 input and output buttons, and stored as presets for instant re-patching. Exchange modules can be connected in a chain using connectors at the rear of the module, and then synchronised to handle larger, more complex patches. The chain inputs and outputs can also be accessed through front-panel jacks using the Expander module. Features 8×8 digitally-controlled analog patching matrix Signal range: -10V to +10V 64 programmable preset slots USB MIDI note/PC preset change control Trigger sequence/trigger random/CV preset change input with programmable preset sequence range 8 patch chain inputs and outputs (on module rear) Programmable selection between an individual chain and jack inputs Automatic detection of input jack insertion, and switching between chain and jack inputs Highlighting of connection routes for inputs/outputs across chained modules Data Bus for synchronising presets and highlighting connections across multiple modules Specifications Width: 12hp Depth: 32mm Power: +12V: 7.7mA, -12V: 7.4mA, 5V: 93mA https://archaea.co.uk/exchange/

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Exchange is a patching module where the 8 inputs can be switched to any of the 8 outputs. By connecting other modules to Exchange, patches can be created using the 8 input and output buttons, and stored as presets for instant re-patching.

Exchange modules can be connected in a chain using connectors at the rear of the module, and then synchronised to handle larger, more complex patches. The chain inputs and outputs can also be accessed through front-panel jacks using the Expander module.

Features

  • 8×8 digitally-controlled analog patching matrix
  • Signal range: -10V to +10V
  • 64 programmable preset slots
  • USB MIDI note/PC preset change control
  • Trigger sequence/trigger random/CV preset change input with programmable preset sequence range
  • 8 patch chain inputs and outputs (on module rear)
  • Programmable selection between an individual chain and jack inputs
  • Automatic detection of input jack insertion, and switching between chain and jack inputs
  • Highlighting of connection routes for inputs/outputs across chained modules
  • Data Bus for synchronising presets and highlighting connections across multiple modules

Specifications

  • Width: 12hp
  • Depth: 32mm
  • Power: +12V: 7.7mA, -12V: 7.4mA, 5V: 93mA

https://archaea.co.uk/exchange/

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RYK Modular Envy Machine Eurorack Quad Channel Envelope Modulation Module https://www.elevatorsound.com/product/ryk-modular-envy-machine-eurorack-quad-channel-envelope-modulation-module/ Thu, 05 Dec 2024 12:00:20 +0000 https://www.elevatorsound.com/?post_type=product&p=95609 Each of the four channels on the ENVY MACHINE can be set to one of five super-flexible modulation modes: – ADSR Envelope – AD Envelope – AD LFO – Random Voltage – Recordable Knob Voltage Control Ghost Hand – Parameters can be animated using KNOB RECORDING to create timed variations in your patch. Oh, and with the dedicated MOD input per channel, you can use an external CV to control anything – TIME, LEVEL, WAVESHAPE, colour of your hair etc… Polarity Paradox – Modulation inputs AND channel Outputs come with bipolar attenuverters, now you can choose either bipolar or unipolar, with continuously variable level control. Slippery Slopes – WAVESHAPES are fully variable between LOG, EXPO, SIN, TRAPEZOID, and SQUARE! Specifications Width: 12hp Depth: 25mm Power: +12v 70mA / -12v 5mA Manufacturer product page here.

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Each of the four channels on the ENVY MACHINE can be set to one of five super-flexible modulation modes:
– ADSR Envelope
– AD Envelope
– AD LFO
– Random Voltage
– Recordable Knob Voltage Control

Ghost Hand – Parameters can be animated using KNOB RECORDING to create timed variations in your patch.
Oh, and with the dedicated MOD input per channel, you can use an external CV to control anything – TIME, LEVEL, WAVESHAPE, colour of your hair etc…

Polarity Paradox – Modulation inputs AND channel Outputs come with bipolar attenuverters, now you can choose either bipolar or unipolar, with continuously variable level control.

Slippery Slopes – WAVESHAPES are fully variable between LOG, EXPO, SIN, TRAPEZOID, and SQUARE!

Specifications

  • Width: 12hp
  • Depth: 25mm
  • Power: +12v 70mA / -12v 5mA

Manufacturer product page here.

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Patching Panda Blast Eurorack Kick Drum Module https://www.elevatorsound.com/product/patching-panda-blast-eurorack-kick-drum-module/ Mon, 25 Nov 2024 17:00:55 +0000 https://www.elevatorsound.com/?post_type=product&p=94752 Designing a kick drum presents notable challenges due to the meticulous balance needed between low-end depth, mid-range impact, and high-frequency clarity. Achieving a powerful yet refined sound requires the careful manipulation of sonic elements to create a kick that is both impactful and harmonically cohesive. The kick drum’s dynamic structure is essential: it must have sufficient punch to cut through the mix while maintaining a sense of sustain or “body” for fullness. Fine-tuning compression is crucial to preserve this dynamic integrity. The transient defines the kick’s percussive identity, but balancing it is delicate, overemphasis can result in harshness, while too subtle a transient may leave the kick lacking definition. Effective use of envelope shaping, compression, and selective distortion is needed to refine the initial strike without compromising other frequency areas. The Blast module is meticulously crafted to deliver a clean, punchy, and versatile kick drum. Its intuitive controls allow you to shape a reliable and adaptable kick that suits a wide range of musical styles, combining all these elements to deliver exceptional sonic quality. Specifications Width: 10hp Depth: 35mm Power: +12V 84mA / -12V 64mA Manufacturer product page here.

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Designing a kick drum presents notable challenges due to the meticulous balance needed between low-end depth, mid-range impact, and high-frequency clarity. Achieving a powerful yet refined sound requires the careful manipulation of sonic elements to create a kick that is both impactful and harmonically cohesive. The kick drum’s dynamic structure is essential: it must have sufficient punch to cut through the mix while maintaining a sense of sustain or “body” for fullness.

Fine-tuning compression is crucial to preserve this dynamic integrity. The transient defines the kick’s percussive identity, but balancing it is delicate, overemphasis can result in harshness, while too subtle a transient may leave the kick lacking definition. Effective use of envelope shaping, compression, and selective distortion is needed to refine the initial strike without compromising other frequency areas.

The Blast module is meticulously crafted to deliver a clean, punchy, and versatile kick drum. Its intuitive controls allow you to shape a reliable and adaptable kick that suits a wide range of musical styles, combining all these elements to deliver exceptional sonic quality.

Specifications

  • Width: 10hp
  • Depth: 35mm
  • Power: +12V 84mA / -12V 64mA

Manufacturer product page here.

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Patching Panda Hatz V3 Eurorack Hi Hat Module https://www.elevatorsound.com/product/patching-panda-hatz-v3-eurorack-hi-hat-module/ Mon, 25 Nov 2024 17:00:56 +0000 https://www.elevatorsound.com/?post_type=product&p=94749 Hi-hats are rich in complex, inharmonic frequencies that create a metallic, shimmering sound. Hi-hats rely heavily on noise components to develop the “sizzle” effect. While analog circuits can generate white or coloured noise using transistors or diodes, getting the noise characteristics exactly right for hi-hats is difficult. Designing a noise source that consistently produces the correct quality and amount of noise can require fine-tuning and careful component selection. Hi-hats need a very quick attack and controlled decay to emulate the sharpness of a real cymbal. In analog circuits, achieving precise control over these fast transients is challenging. Hatz v3 is an analog circuit including 2 types of noises “Metals” generate stable, high-frequency square wave oscillations, which are essential for the metallic, bright tone characteristic of hi-hats. “Texture” generates a unique, digital form of noise that has a slightly “stepped” quality, adding a texture that’s not as smooth as white noise but offers a desirable grit. Independent envelopes for precise transient shaping, and a bandpass filter for frequency control—contribute to a complex, high-quality hi-hat sound. This design approach provides flexibility, realism, and tonal richness that elevates the hi-hat beyond basic analog percussion. Specifications Width: 10hp Depth: 35mm Power: +12V 103mA / […]

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Hi-hats are rich in complex, inharmonic frequencies that create a metallic, shimmering sound. Hi-hats rely heavily on noise components to develop the “sizzle” effect. While analog circuits can generate white or coloured noise using transistors or diodes, getting the noise characteristics exactly right for hi-hats is difficult. Designing a noise source that consistently produces the correct quality and amount of noise can require fine-tuning and careful component selection. Hi-hats need a very quick attack and controlled decay to emulate the sharpness of a real cymbal. In analog circuits, achieving precise control over these fast transients is challenging.

Hatz v3 is an analog circuit including 2 types of noises “Metals” generate stable, high-frequency square wave oscillations, which are essential for the metallic, bright tone characteristic of hi-hats. “Texture” generates a unique, digital form of noise that has a slightly “stepped” quality, adding a texture that’s not as smooth as white noise but offers a desirable grit.
Independent envelopes for precise transient shaping, and a bandpass filter for frequency control—contribute to a complex, high-quality hi-hat sound.

This design approach provides flexibility, realism, and tonal richness that elevates the hi-hat beyond basic analog percussion.

Specifications

  • Width: 10hp
  • Depth: 35mm
  • Power: +12V 103mA / -12V 48mA

Manufacturer product page here.

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Joranalogue Cycle 5 Eurorack Compact VCO Module https://www.elevatorsound.com/product/joranalogue-cycle-5-eurorack-compact-vco-module/ Tue, 26 Nov 2024 00:00:04 +0000 https://www.elevatorsound.com/?post_type=product&p=95100 A small Eurorack oscillator that packs a punch: that’s the best way to summarise Cycle 5. At its heart lies a refined high-stability triangle core voltage controlled oscillator (VCO), with performance matching or exceeding that of much bigger and costly oscillator modules. Instead of a coarse frequency knob, a 7-position octave switch is provided. This in combination with a perfect fifth transposition switch and factory pitch tuning, makes Cycle 5 an exceptionally straightforward and musical VCO to use: simply centre the fine tune knob, and the module will be instantly tuned to reference C. Meanwhile, its dual precision volt per octave inputs add a great deal of versatility. For example, one could be used for pitch sequencing and the other as a generic exponential FM input, or both sequenced together for transposition effects — the dual inputs serving as a built-in precision adder. Sporting all the classic waveforms, ranging from sine wave, triangle, saw and square/pulse, as well as a hard sync input and low frequency oscillator (LFO) mode, Cycle 5 makes for a real workhorse VCO. The novel trigonometric waveshaper results in a very clean sine wave, ideal for sub bass duty. Cycle 5’s highlight however, is its vari-wave […]

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A small Eurorack oscillator that packs a punch: that’s the best way to summarise Cycle 5.

At its heart lies a refined high-stability triangle core voltage controlled oscillator (VCO), with performance matching or exceeding that of much bigger and costly oscillator modules.

Instead of a coarse frequency knob, a 7-position octave switch is provided. This in combination with a perfect fifth transposition switch and factory pitch tuning, makes Cycle 5 an exceptionally straightforward and musical VCO to use: simply centre the fine tune knob, and the module will be instantly tuned to reference C.

Meanwhile, its dual precision volt per octave inputs add a great deal of versatility. For example, one could be used for pitch sequencing and the other as a generic exponential FM input, or both sequenced together for transposition effects — the dual inputs serving as a built-in precision adder.

Sporting all the classic waveforms, ranging from sine wave, triangle, saw and square/pulse, as well as a hard sync input and low frequency oscillator (LFO) mode, Cycle 5 makes for a real workhorse VCO. The novel trigonometric waveshaper results in a very clean sine wave, ideal for sub bass duty.

Cycle 5’s highlight however, is its vari-wave feature. By adjusting the vari-wave knob, the waveform on the matching output will smoothly morph from sine, to triangle, saw, square and finally a very narrow pulse. The vari-wave parameter can be CV controlled, up to audio frequencies for some intense timbres.

Equally at home as a modest modulation companion to big VCOs, as being in the spotlight in miniature or polyphonic systems, Cycle 5 might just be the most multi-talented tiny analogue oscillator yet.

Features

  • High-stability precision analogue triangle-core VC(LF)O.
  • Octave and perfect fifth switches—all intermediate frequencies can be reached using the front panel controls.
  • Dual volt per octave FM inputs.
  • Outputs: sine, triangle, saw, square/pulse (PWM) and vari-wave, smoothly morphing between all waveforms.
  • Reset (hard oscillator sync) input.
  • Wide frequency range: 48 mHz (20 seconds) to 3.7 kHz.
  • Don’t waste time tuning: pre-tuned for 0 V = C.
  • Impedance-compensated outputs with dual-colour vari-wave LED.
  • Trim potentiometers accessible from the front panel.

Specifications

  • Width: 6hp
  • Depth: 30mm
  • Power: +12V 75mA / -12V 70mA

Manufacturer product page here.

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ALM Busy Circuits MCO mkII Eurorack Compact Multi Synth Voice Module https://www.elevatorsound.com/product/alm-busy-circuits-mco-mk-ii-eurorack-compact-multi-synth-voice-module/ Mon, 02 Dec 2024 15:00:11 +0000 https://www.elevatorsound.com/?post_type=product&p=95099 The MCO Mk II is a highly versatile digital VCO and voice module inspired by 90s/00s digital synths shrunk into just 6HP. It offers a broad collection of unique, high-quality synth voices, each with extensive, customisable parameters. These parameters can be directly controlled or modulated through assignable internal and external sources. Certain per-voice parameters support audio-rate modulation, including FM, sync, and DSP. Each voice also supports up to four-voice chords, external-triggered envelopes, multiple LFOs, and dual audio outputs for comprehensive desktop-like synth functionality. Voices include a multi dimensional wavetable oscillator based on the original MCO, a complex additive synthesis engine, a multi mode ’JP’ type digi-synth, a lush virtual analog implementation, a fully featured vocoder, a bass synth for both kicks and sub sonic tones and finally a rebirth and porting of our discontinued SID GUTs chip voice. Each voice includes factory presets as well as the ability to store and recall user presets. All state is preserved across power cycles. The MCO Mk II is designed to be familiar, quick and easy to use with a high resolution colour display and a rich visual user interface. A USB-C connection allows for easy firmware updates, user wavetables upload and device […]

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The MCO Mk II is a highly versatile digital VCO and voice module inspired by 90s/00s digital synths shrunk into just 6HP.

It offers a broad collection of unique, high-quality synth voices, each with extensive, customisable parameters. These parameters can be directly controlled or modulated through assignable internal and external sources.

Certain per-voice parameters support audio-rate modulation, including FM, sync, and DSP. Each voice also supports up to four-voice chords, external-triggered envelopes, multiple LFOs, and dual audio outputs for comprehensive desktop-like synth functionality.

Voices include a multi dimensional wavetable oscillator based on the original MCO, a complex additive synthesis engine, a multi mode ’JP’ type digi-synth, a lush virtual analog implementation, a fully featured vocoder, a bass synth for both kicks and sub sonic tones and finally a rebirth and porting of our discontinued SID GUTs chip voice.

Each voice includes factory presets as well as the ability to store and recall user presets. All state is preserved across power cycles.

The MCO Mk II is designed to be familiar, quick and easy to use with a high resolution colour display and a rich visual user interface.

A USB-C connection allows for easy firmware updates, user wavetables upload and device config backup and restore. Axon expander modules are also supported to increase CV control options.

Features

  • Great collection of unique, varied, and great sounding synth voices each with numerous parameters.
  • All synthesis voices support up to 4 voice chord and dual outputs.
  • Built in Envelopes and LFOs for modulation and voice behaviour.
  • Factory and user saveable presets per synthesis voice.
  • Graphically rich colour and easy to use UI.
  • All settings remain between power cycles.
  • 4 freely assignable CV inputs.
  • Audio rate input for FM, Sync and more.
  • Support for Axon expanders for up to 8 assignable CV inputs.
  • USB-C for quick and easy ‘drag and drop’ firmware updates, custom wavetable upload and device backup/restore.
  • Also available as a virtualised VCV software module.

Specifications

  • Width: 6hp
  • Depth: 32mm
  • Power: +12V 70mA / -12V 30mA

Manufacturer product page here.

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Cosmotronic Aphelion Eurorack Stereo Distortion, Filter and VCA Module (Black) https://www.elevatorsound.com/product/cosmotronic-aphelion-eurorack-stereo-distortion-filter-and-vca-module/ Fri, 22 Nov 2024 00:00:40 +0000 https://www.elevatorsound.com/?post_type=product&p=94969 Aphelion packs a fully analog stereo distortion and DJ-style filter into a compact 8HP design, making it ideal for both live performances and studio setups. It features three independent distortion circuits: a soft clipping overdrive, a saturating wavefolder, and a RAT-inspired distortion. You can seamlessly interpolate between these using the Character knob or a CV signal, offering a wide spectrum of distortion from subtle warmth to aggressive grit. If you need even more dirt, there’s a handy +12dB gain switch, to really overdrive the signal. If you want to keep your low-end undistorted, you can switch on the Low-cut filter. A Wet/Dry mix knob gives additional control over how much of the original signal is left in the mix. Designed with a performance-oriented layout, it has a large knob that controls a seamless high-pass and low-pass filter combination, reminiscent of filter effects found on DJ consoles. This filter is placed after the distortion circuits. Another performance feature is the filter bypass switch, facilitating instant reintroduction of all frequencies into the mix upon release—a great tool for live performers. Of course there is CV control over the Low and High cutoff, and the Drive gain amount, so using CV you can […]

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Aphelion packs a fully analog stereo distortion and DJ-style filter into a compact 8HP design, making it ideal for both live performances and studio setups. It features three independent distortion circuits: a soft clipping overdrive, a saturating wavefolder, and a RAT-inspired distortion. You can seamlessly interpolate between these using the Character knob or a CV signal, offering a wide spectrum of distortion from subtle warmth to aggressive grit.

If you need even more dirt, there’s a handy +12dB gain switch, to really overdrive the signal. If you want to keep your low-end undistorted, you can switch on the Low-cut filter. A Wet/Dry mix knob gives additional control over how much of the original signal is left in the mix.

Designed with a performance-oriented layout, it has a large knob that controls a seamless high-pass and low-pass filter combination, reminiscent of filter effects found on DJ consoles. This filter is placed after the distortion circuits.
Another performance feature is the filter bypass switch, facilitating instant reintroduction of all frequencies into the mix upon release—a great tool for live performers.

Of course there is CV control over the Low and High cutoff, and the Drive gain amount, so using CV you can also use the module as a stereo filter and VCA.

A level knob sets the volume of the outputs, making it easy to integrate the module as an end-of-chain FX, or to set the level of the return when using the module as an AUX bus FX.

Specifications

  • Width: 8hp
  • Depth: 27mm
  • Power: +12V 90mA / -12V 80mA

Manufacturer product page here.

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Cosmotronic Aphelion Eurorack Stereo Distortion, Filter and VCA Module (Silver) https://www.elevatorsound.com/product/cosmotronic-aphelion-eurorack-stereo-distortion-filter-and-vca-module-silver/ Fri, 22 Nov 2024 00:00:44 +0000 https://www.elevatorsound.com/?post_type=product&p=94974 Aphelion packs a fully analog stereo distortion and DJ-style filter into a compact 8HP design, making it ideal for both live performances and studio setups. It features three independent distortion circuits: a soft clipping overdrive, a saturating wavefolder, and a RAT-inspired distortion. You can seamlessly interpolate between these using the Character knob or a CV signal, offering a wide spectrum of distortion from subtle warmth to aggressive grit. If you need even more dirt, there’s a handy +12dB gain switch, to really overdrive the signal. If you want to keep your low-end undistorted, you can switch on the Low-cut filter. A Wet/Dry mix knob gives additional control over how much of the original signal is left in the mix. Designed with a performance-oriented layout, it has a large knob that controls a seamless high-pass and low-pass filter combination, reminiscent of filter effects found on DJ consoles. This filter is placed after the distortion circuits. Another performance feature is the filter bypass switch, facilitating instant reintroduction of all frequencies into the mix upon release—a great tool for live performers. Of course there is CV control over the Low and High cutoff, and the Drive gain amount, so using CV you can […]

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Aphelion packs a fully analog stereo distortion and DJ-style filter into a compact 8HP design, making it ideal for both live performances and studio setups. It features three independent distortion circuits: a soft clipping overdrive, a saturating wavefolder, and a RAT-inspired distortion. You can seamlessly interpolate between these using the Character knob or a CV signal, offering a wide spectrum of distortion from subtle warmth to aggressive grit.

If you need even more dirt, there’s a handy +12dB gain switch, to really overdrive the signal. If you want to keep your low-end undistorted, you can switch on the Low-cut filter. A Wet/Dry mix knob gives additional control over how much of the original signal is left in the mix.

Designed with a performance-oriented layout, it has a large knob that controls a seamless high-pass and low-pass filter combination, reminiscent of filter effects found on DJ consoles. This filter is placed after the distortion circuits.
Another performance feature is the filter bypass switch, facilitating instant reintroduction of all frequencies into the mix upon release—a great tool for live performers.

Of course there is CV control over the Low and High cutoff, and the Drive gain amount, so using CV you can also use the module as a stereo filter and VCA.

A level knob sets the volume of the outputs, making it easy to integrate the module as an end-of-chain FX, or to set the level of the return when using the module as an AUX bus FX.

Specifications

  • Width: 8hp
  • Depth: 27mm
  • Power: +12V 90mA / -12V 80mA

Manufacturer product page here.

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Buchla and TipTop Audio 285t Eurorack Frequency Shifter Module https://www.elevatorsound.com/product/buchla-and-tiptop-audio-285t-eurorack-frequency-shifter-module/ Thu, 14 Nov 2024 17:46:41 +0000 https://www.elevatorsound.com/?post_type=product&p=94947 The 285t combines two sets of functions: the top section features a frequency shifter, while the lower section includes both balanced modulation and classic ring modulation, all with voltage control. The frequency shifter can shift incoming audio using either its internal oscillator or external audio. Both SUM and Difference outputs are available simultaneously for analog stereo widening effects and more. Features Up to 1kHz of frequency shifting available via the internal oscillator Bipolar CV and linear FM inputs for the refence oscillator Sum and difference outputs allow for both upwards and downwards frequency shifting Specifications Width: 18hp Depth: 45mm Power: +12V 50mA / -12V 44mA Manufacturer product page here.

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The 285t combines two sets of functions: the top section features a frequency shifter, while the lower section includes both balanced modulation and classic ring modulation, all with voltage control. The frequency shifter can shift incoming audio using either its internal oscillator or external audio. Both SUM and Difference outputs are available simultaneously for analog stereo widening effects and more.

Features

  • Up to 1kHz of frequency shifting available via the internal oscillator
  • Bipolar CV and linear FM inputs for the refence oscillator
  • Sum and difference outputs allow for both upwards and downwards frequency shifting

Specifications

  • Width: 18hp
  • Depth: 45mm
  • Power: +12V 50mA / -12V 44mA

Manufacturer product page here.

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Qu-Bit Electronix Stardust Eurorack Stereo Looper Module https://www.elevatorsound.com/product/qu-bit-electronix-stardust-eurorack-stereo-looper-module/ Wed, 13 Nov 2024 12:00:07 +0000 https://www.elevatorsound.com/?post_type=product&p=94346 Meet Stardust, a cosmic tape looper. Much like the cacophony of galaxies, supernovas, and stars we find in our own celestial canvas, Stardust captures layers of audio to construct new sonic imagery, and finds ways to take the esoteric, and make it concrète. The foundation of Stardust is a stereo looper with all the essential controls to record and manipulate sound, while supporting click-less looping transitions, an ultra-low noise floor, and high-fidelity audio hardware. However, getting the perfect loop is only half of the equation – Stardust also focuses on the texture and vibe of your recordings. Dial in nostalgic warmth with wow & flutter / tape hiss controls, or take Stardust to new horizons with out-of-this-world DSP effects. And, much like the tape-machines of yore, Stardust can splice and rearrange its loops at the twist of a knob. With an impressive set of front panel controls, the ability to save, recall, or export recordings, load samples via an included USB flash drive, and a host of configurable settings via our web editor Narwhal, Stardust is an all-encompassing looper device. Reach out into the vast unknown, one overdub at a time. Features Cosmic stereo tape looper Click-less looping: up to […]

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Meet Stardust, a cosmic tape looper. Much like the cacophony of galaxies, supernovas, and stars we find in our own celestial canvas, Stardust captures layers of audio to construct new sonic imagery, and finds ways to take the esoteric, and make it concrète.

The foundation of Stardust is a stereo looper with all the essential controls to record and manipulate sound, while supporting click-less looping transitions, an ultra-low noise floor, and high-fidelity audio hardware. However, getting the perfect loop is only half of the equation – Stardust also focuses on the texture and vibe of your recordings. Dial in nostalgic warmth with wow & flutter / tape hiss controls, or take Stardust to new horizons with out-of-this-world DSP effects. And, much like the tape-machines of yore, Stardust can splice and rearrange its loops at the twist of a knob.

With an impressive set of front panel controls, the ability to save, recall, or export recordings, load samples via an included USB flash drive, and a host of configurable settings via our web editor Narwhal, Stardust is an all-encompassing looper device. Reach out into the vast unknown, one overdub at a time.

Features

  • Cosmic stereo tape looper
  • Click-less looping: up to 10 minutes max mono, 5 minutes max stereo
  • High-Fidelity Audio: 48kHz, 32-bit internal, 24-bit hardware, ultra-low noise floor
  • Save, recall, import and export recordings via USB drive
  • Wow & Flutter, Tape Hiss, Vintage Saturation, Reverb, and other DSP effects onboard
  • Built on the Daisy platform for continued official updates, and community firmware hacking

Specifications

  • Width: 18hp
  • Depth: 22mm
  • Power: +12V 170mA / -12V 15mA

Manufacturer product page here.

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