The ReSynthesizer can trace its origins to Spring 2023, with Walker and Rodent putting together a collection of modules to announce and demonstrate the Soundhack Spectraphon at Superbooth ‘23. We knew that these modules would need to complement Spectraphon in a way that would show its true capabilities. As such, this specialized layout comprised a single-system overview of the last 8 years of Make Noise module designs.

After Superbooth Walker and Peter continued to use a similar system configuration in videos for our Youtube and Instagram Channels, prompting some folks to speculate if it was to be our new 7U system. At that time we had no plans for a new system; in fact, this layout had been intended as temporary all along, but we found that it made a useful layout in almost all cases and so we continued using it in videos anyway. (The layout even gained the popular unofficial moniker “System X” thanks to the speculative work of Cinematic Laboratory and others.) Choices like the unusual placement of the Morphagene, adjacent to Spectraphon, which we initially assumed would be mainly for a very specific use-case, quickly became second nature to patch. The Spectraphon and Morphagene work together to ReSynthesize raw materials into lush soundscapes, microsound manipulations, or wherever the path leads.

Features:

• Voltage Controlled DSP (Digital Signal Processing)
• Voltage Controlled Spectral Analysis/Resynthesis/Noise Generation: Spectraphon
• Voltage Controlled Stereo Repeats and Halos: Mimeophon
• Voltage Controlled Stereo Granularization: Morphagene
• Complex Random Voltage Generator: Wogglebug
• Dual Analog Control Voltage generator: MATHS (x2!)
• Voltage Controlled Panning, Crossfading, and Mixing: X-PAN
• Polyphonic Time Shifting: TEMPI
• New School Sequencing: René
• Human Expression/Control: PrssPnt
• Stereo Low Pass Gating and Mixing: DXG
• Horizontal Control Signal Distribution and Indication, plus Final Outputs: CV Bus
• Voltage Controlled Multi-Mode Multi-Peak Stereo Filtering: QPAS
• 4 Zone 7U CV Bus case w/ original power supply and AC Adapter, Ready to Play
• Blanking panels as appropriate (selection may vary)
• Ships with 30 high quality patch cables
• Comes with Lid, Highly portable, Meets requirements for carry-on luggage

Specs

• Size: 7U
• Total HP: 208 @ 3U, 104 @ 1U
• Dimensions: 22.25? x 14? x 7.25? w/ lid

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The Dreadbox Telepathy Bundle gives you 6 Telepathy modules along with their Psychosis 6 Channel Mixer/FX unit, all housed within a custom 70hp case with included patch and MIDI connections.

This system can be used as:

• > A 6-Voice Polyphonic Synthesizer
• > A 6-Voice Polyphonic Multitimbral Synthesizer
• > 6x Single Voice synthesizers, each with independent control over MIDI, CV and GATE
• > A 6-Voice Drum Machine, when connected to an external Sequencer
• > Any of the above configurations combined to create a full analog workstation (eg: 3 Voice polyphony, 1 voice bass and 2 voice drums)

Included:

• 6x Telepathy
• 1x Psychosis
• 1x 7OHP Case
• 6x 3.5mm Stereo Cables
• 6x 3.5mm Mono Cables
• 1x DIN5 to 3.5mm jack MIDI adapter
• 1x 15VDC Power Supply

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Buchla’s own Joel Davel led the charge to create a new version of the legendary Music Easel instrument with more modular flexibility and independence, while also providing the means to easily interface with more devices, such as the various DAWs like Ableton and MIDI controllers, including the very expressive Sensel Morph. It’s still fully analog in its default configuration and provides the unique and exquisite Buchla experience with greater functionality at a lower cost.

What’s new compared to the previous Easel/208?

• MIDI input(USB B/DIN) standard on Easel Command, optional on 208C.
• 2 – 1/4″ Audio outputs (Easel Command only)
• 1 – 3.5mm 1v/oct input (mixed to keyboard input) (Easel Command only)
• 1 – 3.5mm Gate input (turned into Buchla keyboard pulse with sustain) (Easel Command only)
• MIDI A (USB Host) optional expansion port.
• Five additional audio connections to get independent inputs and outputs from the oscillators and the gates, plus an FM input to the modulation oscillator.
• Five additional banana CV connections to control knobs and faders and ability to send pulses independently to different inputs.
• If no aux input is present, analog white noise is generated (using the 266 circuit).
• A more logical layout of of the top row.
• A power/control mode LED indicator.
• Pulser now has a dedicated single pulse switch and mode distinction
• The modulation oscillator section is now green, so that each main section has its own color.
• The listed oscillator frequencies are more accurate and the scaled fader input range is trimmable from the old range to 1.2v/oct.
• You can trim the new modulation oscillator and envelope generator inputs to work with the typical input ranges you desire.
• You can trim the oscillators to your desired volts per octave range for both the keyboard and the fader inputs.
• You can also reduce the gain on the gate 1 input if you have an unusually hot, non-Buchla input.
• One single circuit board allows it to be modular case friendly and easier to service; the 208c module can fit into a 200e case.
• Switches and jumpers for those who want to use the new banana inputs —those for the modulation oscillator and sustain— to control the sequencer stages instead.
• Standard headers for the program card connector that allow us to develop future iProgramCard-like preset control from inside the unit.
• New connectors allow our plug-in MIDI interface and provides an optional stereo digital fx option (coming as an optional add-on in the future)
• Actual stereo. The 208 was always a mono synth, but if you plug in a stereo digital fx (coming as an optional add-on in the future), you’ll get stereo outputs on the MIX OUT and headphones.
• A new power connector for more cable length and case flexibility and removability and one that’s already compatible with the more recent revisions of the Easel power board.

The Easel Command comes with 4 x shorting bars, 2 x green (40cm), 3 x orange (25cm) cables and 1 x 24″ inch Tinijax cable as well as a DC power block and USA IEC cable (though we can include and IEC for other countries if needed)

The post Buchla Easel Command West Coast Desktop Modular Synthesizer appeared first on Elevator Sound.

These modules are included in the Basic System 2:

2x Standard VCO A-110
2x ADSR A-140
1 x LFO A-145
1 x LFO A-146
1x Ring Modulator A-114
1 x Audio Divider A-115
1 x VC Waveform Processor A-116
1 x Noise/Random A-118
1 x VCF1 A-120 (24dB low pass 1)
1 x XP VCF A-106-6
1 x linear VCA A-130
1 x exponential VCA A-131
1 x linear Mixer A-138a
1 x exponential Mixer A-138b
1 x Dual S&H A-148
1 x Trigger Divider A-160
1 x Trigger Sequencer A-161
1 x Dual Slew Limiter A-170
1 x Multiple I A-180
1 x USB/Midi-to-CV/Gate/Sync-Interface A-190-4
30 patch cables (mixed)

Unused rows are closed with blind panels (e.g. A-100BS2 built into A-100LC9 or A-100P9). The valid prices for all combinations of systems and case are available in the price list in the A-100 section.

The post Doepfer A-100BS2-P9 Full Eurorack System with PSU3 appeared first on Elevator Sound.

Manufacturing will occur in July and once that run is done, it’s done. A true Buchla collectors piece.

The anniversary Easel will be incredibly limited worldwide and will be built to order.

• Vintage Easel styling, comes in a real Halliburton suitcase
• Limited run gold 218E controller keyboard
• Vintage style Rogan knobs
• True to era output VU & leather trims
• Limited Edition Easel Weasel silkscreen print (24” x 15”) signed and numbered by the original artist Jim Phillips
• 12” LP of Electric Weasel Ensemble from Important Records in a unique vinyl colour
• Hardcover Edition of Allen Strange’s “Electronic Music: Systems, Techniques, and Controls”
• Collector’s book that includes a reprint of original 1974 “Easel Operating Directive” manual by Allen Strange and writings by original Electric Weasel Ensemble member Stephen Ruppenthal and others.
• Special edition artist-designed Retro Preset cards from artists including Todd Barton, Suzanne Ciani, and others. Featuring new, unique graphics on each card.
• Program Manager loaded with presets as described in original 1974 Easel Directive.

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The 208C Stored Program Sound Source is at the Music Easel’s core. This module integrates a complex oscillator, a modulation oscillator capable of producing diverse waveforms, and a noise generator for intricate sound design. Alongside its five-stage sequencer, envelope generator, pulser, and modulation source with switchable triggers, the 208C empowers users to create intricate patterns and evolving textures. The dual low pass gate provides dynamic control over tone and amplitude, yielding decay and sustain that sound natural. Leveraging modulation sources like a random voltage generator, envelope generator, modulation oscillator, and envelope detector, musicians can modulate various parameters through the extensive patch field, introducing movement, texture, and complexity. Moreover, the 208C includes a mixer section with spring reverb for further sonic exploration.

To complement the 208C, the Music Easel Retro features the Touch Activated Voltage Source Model 218e (v3). This module, originating from the original 1973 Buchla Music Easel, boasts an intuitive piano-like key layout for seamless control. The latest iteration, the 218e (v3), integrates stable and modern electronics, providing heightened sensitivity and accuracy. Its adjustable sensor possesses a wide dynamic range and impressive durability, ensuring that even the gentlest touch triggers control voltages. The enhanced sensing capabilities and satisfying tactile experience further enhance its versatility. Adding pressure sensitivity introduces an expressive output, adding an extra layer of control.

With MIDI outputs for velocity, polyphony, and channel pressure, the 218e is a uniquely expressive controller. It also incorporates a portamento and an arpeggiator driven by external inputs, enabling interaction with automated notes to create complex patterns. Additional controls facilitate the blending of patterns and introduce randomness, resulting in surprising and unexpected outcomes. The classic preset voltage knobs offer diverse means of manipulating sounds, serving as convenient access points for voltages, arpeggiation mode control, and octave shifting. Pads on the module output pulses for further control.

Additionally, the 218e acts as an interface to play existing MIDI gear and software synthesisers, providing outputs for note names, channel pressure, and velocity for each note and sustain control from a pedal. Its polyphonic MIDI mode enables chord playing, while the touch strip can function as a pitch bend control or modulation wheel, adding enhanced expressiveness. Configuration is straightforward using the front panel controls, allowing for transmitting notes and controls on any MIDI channel.

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The new EMBIO module (Electric Music Box I/O) provides all the core connectivity for the Music Easel into a powerful 200E module space, providing all the connections for Power, USB MIDI, MIDI Mini-jack, Audio I/O, Mixing, an extra LFO, attenuverter AND CV and Gate into one convenient module.

Not only does this EMBIO module provide more functionality that previous Easel revisions, it also enhances the workflow when working with the instrument. This added space also means the system an be expanded with a 200e module or 2 x 200h series modules to further enhance the capabilities of the Easel. By default, the Easel is shipping with a blanking plate covering the module slot.

Modern Easel styling, housed in a rugged, portable ABS case
Shiping with the new EMBIO module, providing vast connectivity options
1 x 200e / 200h series slot for further expansion
Includes a selection of Banana Cables & shorting bars

The post Buchla Music Easel System – Modern appeared first on Elevator Sound.

Includes

• Voltage Controlled DSP (Digital Signal Processing)
• Voltage Controlled Stereo Repeats and Halos: Mimeophon
• Voltage Controlled Stereo Granularization: Morphagene
• Complex Random Voltage Generator: Wogglebug
• Dual Analog Control Voltage generator: MATHS
• Signal Distribution and Fan Out: MULT
• Voltage Controlled Multi-Mode Multi-Peak Stereo Filtering: QPAS
• Stereo Mixing and Final Outputs: XOH
• 3U Skiff w/ power supply
• Blanking panels as appropriate (selection may vary)
• Ships with 15 Ad Infinitum patch cables

Specifications

• Size: 3U
• Total HP: 104
• Utilized HP: 94
• Expansion HP: 10
• Dimensions: 21.5 x 5.14 x 3.5 (inches)
• Weight: 6.6 lbs/3kg

The post Make Noise Tape and Microsound Music Machine – Full Eurorack Modular System appeared first on Elevator Sound.

The system has 31 inputs and 20 outputs (master output is duplicated) + 7 switches; if you have enough patch cables at your disposal, you can patch the system in 121000931215044250740178662400 or 1.21×1029 variations (we ignored the possibility to adjust potentiometers here). Even though only 0,0001% of all patches will sound more-less enjoyable, you and all your future generations can spend a lifetime only patching the Pico System III.

Voice-cards with preset patches set it apart from other eurorack systems – they allow user to change patches instantly and radically, which makes the system well suited for experimental live performances. The system comes with 5 great sounding “factory preset” voice-cards, and 5 DIY voice-cards that are empty and users can develop their own patches. More voice-cards will be available from Erica Synths shop.

Includes

• 20 patch cables
• 1 Hosa stackable cable
• PSU
• 5 factory preset & 5 DIY voice-cards
• user manual and patch note sheets

The post Erica Synths Pico System 3 Full Eurorack Modular System appeared first on Elevator Sound.

Vacuum tube based Erica Synths Fusion Series modules are the basis of the system, while Black Modulator and Black Envelope Generator add plenty of modulation and noise generation possibilities. 43 patchpoints for extensive experiments in sound design, all analogue signal and CV path to create the drones of massive power. Want solid bassline with great 1V/oct tracking? Use CV/Gate sequencer or keyboard and you have it! Erica Synths Fusion Drone System brings distinct and powerful sound into eurorack.

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