Ghost Hand – Parameters can be animated using KNOB RECORDING to create timed variations in your patch.
Oh, and with the dedicated MOD input per channel, you can use an external CV to control anything – TIME, LEVEL, WAVESHAPE, colour of your hair etc…

Polarity Paradox – Modulation inputs AND channel Outputs come with bipolar attenuverters, now you can choose either bipolar or unipolar, with continuously variable level control.

Slippery Slopes – WAVESHAPES are fully variable between LOG, EXPO, SIN, TRAPEZOID, and SQUARE!

Specifications

• Width: 12hp
• Depth: 25mm
• Power: +12v 70mA / -12v 5mA

Manufacturer product page here.

The post RYK Modular Envy Machine Eurorack Quad Channel Envelope Modulation Module appeared first on Elevator Sound.

If you need even more dirt, there’s a handy +12dB gain switch, to really overdrive the signal. If you want to keep your low-end undistorted, you can switch on the Low-cut filter. A Wet/Dry mix knob gives additional control over how much of the original signal is left in the mix.

Designed with a performance-oriented layout, it has a large knob that controls a seamless high-pass and low-pass filter combination, reminiscent of filter effects found on DJ consoles. This filter is placed after the distortion circuits.
Another performance feature is the filter bypass switch, facilitating instant reintroduction of all frequencies into the mix upon release—a great tool for live performers.

Of course there is CV control over the Low and High cutoff, and the Drive gain amount, so using CV you can also use the module as a stereo filter and VCA.

A level knob sets the volume of the outputs, making it easy to integrate the module as an end-of-chain FX, or to set the level of the return when using the module as an AUX bus FX.

Specifications

• Width: 8hp
• Depth: 27mm
• Power: +12V 90mA / -12V 80mA

Manufacturer product page here.

The post Cosmotronic Aphelion Eurorack Stereo Distortion, Filter and VCA Module (Black) appeared first on Elevator Sound.

If you need even more dirt, there’s a handy +12dB gain switch, to really overdrive the signal. If you want to keep your low-end undistorted, you can switch on the Low-cut filter. A Wet/Dry mix knob gives additional control over how much of the original signal is left in the mix.

Designed with a performance-oriented layout, it has a large knob that controls a seamless high-pass and low-pass filter combination, reminiscent of filter effects found on DJ consoles. This filter is placed after the distortion circuits.
Another performance feature is the filter bypass switch, facilitating instant reintroduction of all frequencies into the mix upon release—a great tool for live performers.

Of course there is CV control over the Low and High cutoff, and the Drive gain amount, so using CV you can also use the module as a stereo filter and VCA.

A level knob sets the volume of the outputs, making it easy to integrate the module as an end-of-chain FX, or to set the level of the return when using the module as an AUX bus FX.

Specifications

• Width: 8hp
• Depth: 27mm
• Power: +12V 90mA / -12V 80mA

Manufacturer product page here.

The post Cosmotronic Aphelion Eurorack Stereo Distortion, Filter and VCA Module (Silver) appeared first on Elevator Sound.

The unique part of the circuit is a voltage controlled A/B switch thats normalled to the “Rand Gate” out that’s switching between the S/T\H out (left Blue led window)and Infra out (right Red led window), the Glide control also effects the S/T\H coming out of the switch so you can get really random results from the “Entropy Out.” Inserting a cable into “Switch CV In” breaks the random gate normalization and lets you toggle between A/B (left S/T\H out and right Infra out, indicated by the led windows) with your own gate or trigger.

Specifications

• Width: 3hp
• Depth: 45mm
• Power: +12V 15mA / -12V 10mA

Manufacturer product page here.

The post Zlob Modular Entropy Expander Eurorack VC Noise Random Generator Module appeared first on Elevator Sound.

The “Emanate” potentiometer controls the coarser overall spectrum of the chaos, from lots of activity counter clock wise up to less chaos and more of a steady oscillation full clockwise. The “Width, CV ATT” potentiometer can be thought of as a fine control for the chaos/oscillator. When something is inserted into the “CV” in the voltage normalization from the width knob is broken and the potentiometer now acts as an attenuator for the incoming cv. The Triple Cap is not a traditional volt per octave exponential VCO, and has a sort of narrow frequency range to exploit the chaotic behavior.

It expects a +5v to -5v max signal in to modulate the chaos. The “IN” jack is an A.C. coupled input for audio in, although cv and audio can work for both the “CV” in jack and “IN.” The “IN” will interfere and interact with the onboard chaotic oscillator depending on the frequency of the input, which may take some experimentation. It can create ring mod ish sounds, to added harmonics, to almost bit crushed sounds depending on the “X” or “Y” output. The “X” output is a more windy noisy sinusoidal based output and the “Y” output is more squared off and aggressive, harsher sounding output.

Specifications

• Width: 2hp
• Depth: 37mm
• Power: +12V 15mA / -12V 10mA

Manufacturer product page here.

The post Zlob Modular Triple Cap Chaos Eurorack Noise Oscillator Waveshaper Module appeared first on Elevator Sound.

All analog white, pink, and brown (red) noise 10vpp~ (dependent on white gain trim). Smooth (infrared) random cv out at 10vpp with 2 range settings from wiggley with (more events, switch in left position) to almost random rise and fall envelope behavior (less events, switch in right position). White noise pcb trimmer (bottom of the motherboard) sets the amplitude of the noise which in turn influences the rate of the infra out.

Specifications

• Width: 3hp
• Depth: 47mm
• Power: +12V 10mA / -12V 10mA

Manufacturer product page here.

The post Zlob Modular Entropy Eurorack Sample Hold Noise Random Generator Module appeared first on Elevator Sound.

Diode Chaos produces 3 phases of interrelated morphing voltages including a chaotic trigger out. The range is around 30 seconds a cycle up to audio rate. The frequency is controlled by the RATE knob. Each output exhibits different behavior at different rate settings. X, Y, and Z outs like to stay in the 4Vpp range although at different RATE settings the outs can reach 10Vpp. The TRIG out chaotically releases 0-10v triggers although sometimes it will spit out smaller voltage peaks.

LED soldermask windows provide constant display of positive and negative voltage crossings.

Specifications

• Width: 3hp
• Depth: 45mm
• Power: +12V 10mA / -12V 10mA

Manufacturer product page here.

The post Zlob Modular Diode Chaos Eurorack Random CV Trigger Module appeared first on Elevator Sound.

Specifications

• Width: 3hp
• Depth: 45mm
• Power: +12V 15mA / -12V 15mA

Manufacturer product page here.

The post Zlob Modular Skew Fade LFO Eurorack Skewable Crossfade LFO Module appeared first on Elevator Sound.

You can create complex CV signals combining the two LFOs. The range of frequency of each LFO can be changed respectively via jumpers on the PCB (CV in doesn’t follow 1V/Oct).

Specifications

• Width: 10hp
• Depth: 27mm
• Power: +12V 80mA / -12V 80mA

Manufacturer product page here.
Product manual here.

The post Hikari Instruments Dual LFO Eurorack Module appeared first on Elevator Sound.

Specifications

• Width: 8hp
• Depth: 27mm
• Power: +12V 60mA / -12V 10mA

Manufacturer product page here.
Product manual here.

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