Ghost Hand – Parameters can be animated using KNOB RECORDING to create timed variations in your patch.
Oh, and with the dedicated MOD input per channel, you can use an external CV to control anything – TIME, LEVEL, WAVESHAPE, colour of your hair etc…

Polarity Paradox – Modulation inputs AND channel Outputs come with bipolar attenuverters, now you can choose either bipolar or unipolar, with continuously variable level control.

Slippery Slopes – WAVESHAPES are fully variable between LOG, EXPO, SIN, TRAPEZOID, and SQUARE!

Specifications

• Width: 12hp
• Depth: 25mm
• Power: +12v 70mA / -12v 5mA

Manufacturer product page here.

The post RYK Modular Envy Machine Eurorack Quad Channel Envelope Modulation Module appeared first on Elevator Sound.

Specifications

• Width: 3hp
• Depth: 45mm
• Power: +12V 15mA / -12V 15mA

Manufacturer product page here.

The post Zlob Modular Skew Fade LFO Eurorack Skewable Crossfade LFO Module appeared first on Elevator Sound.

You can create complex CV signals combining the two LFOs. The range of frequency of each LFO can be changed respectively via jumpers on the PCB (CV in doesn’t follow 1V/Oct).

Specifications

• Width: 10hp
• Depth: 27mm
• Power: +12V 80mA / -12V 80mA

Manufacturer product page here.
Product manual here.

The post Hikari Instruments Dual LFO Eurorack Module appeared first on Elevator Sound.

Crafted with a focus on cross and self-patching, the cLFO invites you to explore the endless possibilities of modulation. Dive into creating continuously variable waveforms, exponential shapes, bouncing ball effects, immersive stereo soundscapes and many other sonic wonders!

Each LFO outputs Triangle, Saw, and Square waves. The Triangle output of LFO1 is normalled to the CV input of LFO2 with attenuation. The addition of a ring modulator to this setup draws from years of the designer’s own experimental projects. It is an invitation to experiment with effects traditionally reserved for audio in the realm of modulation. A ring modulated LFO delivers the rhythmical essence of a conventional LFOs but with an added complexity and variability that ensures your soundscapes are always evolving.

This module offers an expansive modulation frequency range, with speed adjustments from as slow as 2 minutes per cycle to as fast as 20 cycles per second. With CV control, frequencies can stretch from 13 hours per cycle to 400 cycles per second, ensuring unparalleled versatility in your modulation explorations.

Accompanying the cLFO is a detailed manual filled with lots of patch ideas designed to elevate your sound design skills to new levels.

Dive into the world of advanced modulation manipulation with cLFO.

Stay inspired! Stay innovative!

Specifications

• Width: 6hp
• Depth: 25mm
• Power: +12v 52mA / -12v 60mA

Manufacturer product page here.
Product manual here.

The post AtoVproject cLFO Eurorack Dual CV Controlled LFO Module (Silver) appeared first on Elevator Sound.

Crafted with a focus on cross and self-patching, the cLFO invites you to explore the endless possibilities of modulation. Dive into creating continuously variable waveforms, exponential shapes, bouncing ball effects, immersive stereo soundscapes and many other sonic wonders!

Each LFO outputs Triangle, Saw, and Square waves. The Triangle output of LFO1 is normalled to the CV input of LFO2 with attenuation. The addition of a ring modulator to this setup draws from years of the designer’s own experimental projects. It is an invitation to experiment with effects traditionally reserved for audio in the realm of modulation. A ring modulated LFO delivers the rhythmical essence of a conventional LFOs but with an added complexity and variability that ensures your soundscapes are always evolving.

This module offers an expansive modulation frequency range, with speed adjustments from as slow as 2 minutes per cycle to as fast as 20 cycles per second. With CV control, frequencies can stretch from 13 hours per cycle to 400 cycles per second, ensuring unparalleled versatility in your modulation explorations.

Accompanying the cLFO is a detailed manual filled with lots of patch ideas designed to elevate your sound design skills to new levels.

Dive into the world of advanced modulation manipulation with cLFO.

Stay inspired! Stay innovative!

Specifications

• Width: 6hp
• Depth: 25mm
• Power: +12v 52mA / -12v 60mA

Manufacturer product page here.
Product manual here.

The post AtoVproject cLFO Eurorack Dual CV Controlled LFO Module (Black) appeared first on Elevator Sound.

The concept is simple. It contains two identical smooth random voltage generators. Each has a frequency, level, offset and curve control. The frequency control sets a steady pace with which bipolar random voltages are generated. The level control works like an attenuator/VCA on the output, reaching from max output to closed. The offset allows shifting the whole wave up and down on the voltage range. Curve determines the shape of the interpolation.The bipolar activity on the main outputs as well as gate outputs are visualised with LEDs.

Both Frequency and Level controls have a CV input with attenuator. When there is nothing patched into the CV inputs, these are internally connected to the main output of the other channel. This normalization makes it very easy to add randomization to the frequency or level for more depth, or of course, add cross-modulation for chaotic voltages.

The output VCAs are usefull to dial in subtle and time-based modulation without the need for external VCAs. For example, to modulate the amount over time with an envelope, or use the other generator with slower speeds to add random changes to the level of a random voltage.

Both generators also have two other outputs. One is an exact inversion of the main output, so it responds to the level and CV input. This is great for stereo or inversed effect patches. The other is a simple pulse output, here there are two different behaviours, channel A outputs a pulse at every random generation, channel B acts like a comparator. Whenever the main is positive this comparator output is a high gate. And whenever the main output is negative or close to 0, there is no gate output. Great for random triggers or firing other events like envelopes.

A couple other outputs are also available and are obtained by averaging both channel main outputs. The first output is the average while the second is an inverted average.

Specifications
Width: 10hp
Depth: 45mm
Power: +70mA, -40mA
Manufacturer product page here.
Product manual here.

The post ADDAC 507 Random Bezier Waves Eurorack Complex LFO Module appeared first on Elevator Sound.

Finally imagine the buoys would wirelessly transmit their absolute height directly to your module outputs where they would be mapped to a voltage signal.

We use a Gerstner Wave as the motor behind the two-dimensional wave generation. In fluid dynamics a Gerstner Wave is described as “a progressive wave of permanent form on the surface of an incompressible fluid of infinite depth”. Gerstner waves are often used in computer graphics to simulate any type of water surface, if you’ve seen any animation film or computer game with water surfaces in it most probably it features a Gerstner wave generating it.

Specifications
Width: 10hp
Depth: 45mm
Power: +70mA, -40mA
Manufacturer product page here.
Product manual here.

The post ADDAC 508 Swell Physics Eurorack Experimental LFO Module appeared first on Elevator Sound.

Four of the outputs are switchable between sine and square LFOs. Their frequencies are jointly set by the Speed and Spread knobs, which control the base speed and the speed difference between the outputs, respectively. Both controls also have CV inputs. These four outputs can also be switched between bipolar (±5V) and unipolar (10V positive or negative), and can be reset to the start of their cycle via the Reset input.

A fifth output offers another, independent, sine LFO with its own speed knob.

The module is 100% analogue.

Specifications

• Width: 8hp
• Depth: 42mm
• Power: +12v 82mA / -12v 80mA

Manufacturer product page here.
Product manual here.

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Each channel also features a recordable trigger generator with an algorithmic fill feature to get the inspiration started or to make things polymetric and keep your patches ever-changing. Use the SHIFT button to change modulation shapes and sync selected or all channels to an internal or external clock.

Neo Trinity has been designed with performance in mind, so it includes channel mutes and allows storing whole presets as banks.

While the core mechanics of the module are very straightforward, the inclusion of assignable CV inputs exponentially increases the complexity of the module’s behavior. Control some or all channels in different ways with the META IN and utilize channels’ E and F dedicated inputs. The inputs can control the main parameter in a positive or inverted way, control the output amplitude, and act as an external trigger or a trigger for the internal Sample & Hold function. The CV knob recorder mode also acts as a quantizer, and when combined with the CV inputs, it turns into a handy voltage processor.

Features

• 6 independent channels of either LFO, ENV or CV
• Indication per channel
• Unipolar (0–5V) or bipolar (-5V to +5V) mode per channel
• LFO shapes (with smoothing): saw, triangle (sine), ramp, pulse, random (smooth)
• LFO range: 260s–180Hz
• LFO sync (RATE knob sets divider)
• ENV shapes: decay, attack, variable, pulse
• ENV range: 1ms–8s
• ENV retrigable or non-retrigable
• ENV slew limiter mode (or AHR envelope with gates)
• CV mode with quantization (ON/OFF, 8 scales, 2V or 5V range, smoothing)
• All modes have automatable RATE knob and trigger sequences
• Independent length of automation per channel (2–64 steps)
• Clock-quantized or non-quantized trigger recording
• Algorithmic trigger fill generator (6 algorithms with a knob parameter)
• Mute per channel
• Memory for 6 banks (all settings and automations)
• Clock Reset input for automation (can be turned OFF – per channel)
• CLK channel for setting tempo or for dividing/multiplying external clock
• Internal CLK generator range: 35 BPM–420 BPM
• CLK IN and CLK OUT connectors
• META IN CV input – assignable independently to some or all channels
• Channels E and F feature dedicated CV inputs
• All CV inputs have adjustable function: positive/negative and attenuated RATE modulation, bipolar VCA at channel output, TRIG input (slew input), Sample & Hold (for triggered stepped waveforms)
• Firmware updates via USB-C
• User calibration of outputs and inputs (for quantizer precision)

Specifications

• Width: 8hp
• Depth: 24mm
• Power: +12v 100mA / -12v 35mA

Manufacturer product page here.
Product manual here.

The post Bastl Instruments Neo Trinity Eurorack 6 Channel Automatable Modulation Hub Module appeared first on Elevator Sound.

Features

• Per-channel input and output attenuation for the SINE and ASSGN outputs
• per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
• stores settings during a power cycle
• LED indication of the discrepancy between the stored setting and current pot position

Specifications

• Width: 4hp
• Depth: Unknown
• Power: +10/-0mA from Batumi II

Manufacturer product page here.
Product manual here.

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